By Martina Urban
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Extra resources for Aesthetics of Renewal: Martin Buber's Early Representation of Hasidism as Kulturkritik
Excerpts “may be arranged by topic,” or “by source,” or by a “pedagogical scheme”6 Further, an anthology may inform the reader about the sources from which the material is taken, but it need not do so. ”7 To be sure, the anthology “may contain an introductory explanation of its purpose, or a justification of its principles of selection and ordering,”8 but it may also not. After all, the anthology is not bound by the requirements of a scientific work. ”10 The several rule-of-the-thumb qualifications within this descriptive statement underscore the dilemma of find ing a universal definition of the genre while acknowledging the frequency of marginal cases.
10 The several rule-of-the-thumb qualifications within this descriptive statement underscore the dilemma of find ing a universal definition of the genre while acknowledging the frequency of marginal cases. ”12 Indeed, a hard-and-fast definition of the genre eludes scholars to the present day. What transpires from these observations is that anthologies can serve a variety of objectives. ” The distinction is not incidental. 16 As David Stern has shown, much of traditional Jewish literature has an anthological character.
With the rise of Romanticism in the nineteenth century, the genre was used to document the importance of folk wisdom, often only preserved in oral traditions, as a source nurturing a people’s collective identity. 37 This was the overarching concern of the Grimm brothers in their various collections of German folktales, of Herder in his anthology of the German folk song, and of Elias Lönnrot in his rendition of the Finnish epic. Zionist thinkers were also initially driven by a Romantic nationalism.