Andrea Mantegna, le roi de l'illusion: Entre inspiration by 50 minutes, Éliane Reynold de Seresin

By 50 minutes, Éliane Reynold de Seresin

Décryptez l’art d'Andrea Mantegna en moins d’une heure !

Représentant majeur du Quattrocento, Andrea Mantegna est sollicité par les plus grands de son époque, mais c’est à l’illustre famille Gonzague qu’il finit par s’attacher. C’est à leur gloire qu’il réalisera l’un de ses plus grands chefs-d’œuvre, l. a. Camera picta. Combinant l'inspiration vintage aux avancées majeures de son temps et poussant toujours plus loin sa recherche de réalisme, Mantegna surprend par sa modernité.

Ce livre vous permettra d’en savoir plus sur :
- Le contexte politique et culturel dans lequel Andrea Mantegna s’inscrit
- los angeles vie de l'artiste et son parcours
- Les caractéristiques et spécificités de son art
- Une sélection d’œuvres-clés de Mantegna
- Son influence dans l’histoire de l’art

Le mot de l’éditeur :
« Dans ce numéro de l. a. série "50MINUTES | Artistes", Eliane Reynold de Seresin se penche sur le destin d'Andrea Mantegna. Après un portrait complet de l'homme, c'est à l'artiste que l'auteure s'intéresse. Son goût de l'antique, l. a. précision de son trait, son obsession du détail, ses vues en contre-plongée... tous les ingrédients de son paintings sont analysés en détail, photos à l'appui. Dans ce numéro, à côté de los angeles célèbre Chambre des époux, nous analysons également le Saint Sébastien du Louvre et l. a. Lamentation sur le Christ mort, deux œuvres particulièrement emblématiques du peintre. » Stéphanie Felten

À PROPOS DE l. a. SÉRIE 50MINUTES | Artistes
La série « Artistes » de l. a. assortment « 50MINUTES » aborde plus de cinquante artistes qui ont profondément marqué l’histoire de l’art, du Moyen Âge à nos jours. Chaque livre a été conçu à los angeles fois pour les passionnés d’art et pour les amateurs curieux d’en savoir davantage en peu de temps. Nos auteurs analysent avec précision les œuvres des plus grands artistes tout en laissant position à toutes les interprétations.

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Additional info for Andrea Mantegna, le roi de l'illusion: Entre inspiration antique et passion du progrès (Artistes, numéro 49)

Example text

The year 1490 is the fateful date that marks both the culminating points of a long series of successes and what we should now call the beginning of the end. Before studying the masterpieces created by Leonardo’s genius in Milan and his influence on the Milanese School, to which he gave a new inspiration and direction, just as Raphael did to the Roman School, we must glance at the Court of the Sforzi, his new patrons and inquire what elements this milieu, at once youthful and suggestive, could add to the rich and varied treasure the newcomer brought with him from Florence.

In the first of these drawings, which has escaped the investigations of all my predecessors, the standing figure certainly seems to have been re-touched and perhaps even re-drawn in parts, but the two fragments of the arms and hands proclaim Leonardo’s authorship with unmistakable precision. Note that the angel’s arm resembles that of St Peter in the Last Supper in Milan - there is the same gesture, the same bending back of the hand. The London picture is, in my opinion, a replica, painted under Leonardo’s supervision by one of his pupils.

Musée du Louvre, Paris. (p. 34, 35) 32 occult sciences. This, at any rate, was the string he played upon in Lodovico by the aid of a programme bewildering in its variety. He proceeded to celebrate the virtues of his new patron in a series of allegories in which he represented him wearing spectacles and standing between Envy and Justice, the latter painted black (an allusion to il Moro’s dark complexion again); now as Fortune or as victory over Poverty, covering with a corner of his ducal mantle a youth pursued by the hideous hag and protecting him with a wand.

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